So the question is why Stephen Bowers should be producing such fine art, going against modern trends. Well, the short answer is that he doesn't think the role of the artist is to shock the public, nor is it to break down artistic forms and traditions. He doesn't see artistic traditions as static, but he does draw inspiration from them:
The artist states that a central part of his practice consists of “reaffirming the position, role and presence of painting within the ceramic tradition.” A parallel interest in period illustration, particularly 18th and 19th century copper plate book illustration, continues to provide inspiration.There is also a local identity at work in his ceramics:
...the regular appearance of motifs (such as the Sydney Harbour Bridge) that are not only unmistakably Australian but also reference a sense of independent cultural identity in a globalised world. As one writer has suggested, “Bowers is an instigator of a new consciousness in Australian pottery, thrusting our native flora and fauna into the limelight as a legitimate form of decoration. He skirts the edge of kitschness while investing authenticity into the use of Australian symbols in the hope of developing our native visual language.”I think he succeeds in doing this. It's unusual as an Australian to see fine ceramic art decorated with Australian motifs. He has contributed in an original way to an existing tradition - built on it or added to it rather than seeking to entirely deconstruct its forms. The result is something that strikes you as being of enduring worth.